| Assistant director | Carol Chollar |
| Costume design | Margie Kluth |
| Light Crew | Michelle Abad |
| Light Crew | Angela Noakes |
| Light Crew | Courtney Hood |
| Light Crew | Karen Borer |
| Light Crew | Christopher Raiford |
| Light Crew | Brandon Myers |
| Light Crew | Jennifer Buhl |
| Light Crew | Kristy Szymborski |
| Light design | Dale Borer |
| Prop master | Paul Adkins |
| Set artist | Bruce Chollar |
| Set construction | Adam Cromie |
| Set construction | Greg Williams |
| Set construction | Bill Buhl |
| Set design | Greg Williams |
| Stage Crew | Joe Patti |
| Drums | Morgan Gray |
| Piano | Kim Enloe |
| Bass | Jim Garcelon |
| Guitar | Greg Williams |
| Trumpet | Nathan Chollar |
| Trumpet | Emily Kershaw |
| Clarinet | Terrell Stephens |
| Flute | Terrell Stephens |
| Saxophone | Terrell Stephens |
| Clarinet | Clarice Nash |
| Flute | Clarice Nash |
| Saxophone | Clarice Nash |
| Trombone | Chris Poole |
| Trombone | Leah Barnes |

A different time is evoked in this marvelously theatrical and winning show, a live broadcast of a The Mutual Manhattan Variety Cavalcade from the Hotel Astor's Algonquin Room on December 21, 1942. The spirit of that bygone era when the world was at war and pop music meant "Strike Up the Band" and "Boogie Woogie Bugle Boy" is accurately captured as the harassed producer copes with a drunk lead singer, the delivery boy who wants a chance in front of the mike, the second banana who dreams of singing a ballad, and the trumpet playing sound effects man who chooses a fighter plane over Glenn Miller.
The 1940's Radio Hour takes the audience on a nostalgic trip down memory lane into a backdrop of the second World War, setting the stage for swinging big band music and song and old fashioned situation comedy of a bygone period. It takes place in a small 5000-watt New York City radio station (WOV) and is centered around a group of performers and their attempts to make it to the "big time" in show biz. The radio program is seen through the eyes of the theatre audience who become the actual 1940s radio station audience. This fun production includes such old time greats as Ain't She Sweet, Blue Moon, Boogie Woogie Bugle Boy, Old Black Magic, Kalamazoo, and 16 other numbers from that era.
Directing his first production for CSTOCK is Chris Borer. Featured as musical director and pianist is Kim Enloe. Also on the creative staff are assistant director Carol Chollar, choreographer Lorien McTavish, stage manager Cindy Williams, set designer & builder Greg Williams, vocal music director Charles Platten, scenic artist Bruce Chollar, props manager Paul Adkins, costumer Margie Kluth, and light designer Dale Borer. The show is produced by Dan Engelhard.
| Actor/Actress | Character Role(s) | |
| Dale Borer | Stanley Pacynski | |
| Nathan Chollar | Biff Baker | |
| Joe Connors | Neal Tilden | |
| Adam Cromie | Wally Ferguson | |
| Eric Engelhard | BJ Gibson | |
| Bob Forman | Arthur 'Pops' Bailey | |
| Morgan Gray | Zoot Doubleman | |
| Jacque Hamilton | Geneva Lee Browne | |
| Rich Jacobson | Clifton Feddington | |
| Ken Kidder | Lou Cohn | |
| Missi Patti | Ann Collier | |
| Charles Platten | Johnny Cantone | |
| Danielle Aldana-Priest | Ginger Brooks | |
| Tatiana Zappardino | Connie Miller | |
| Kim Enloe | Tess 'Snookie' Davenport | |
| Jim Garcelon | Bob 'Bobo' Lewis | |
| Greg Williams | Gus Bracken | |
| Emily Kershaw | Nelly Kovacs | |
| Terrell Stephens | Charlie 'Kid Lips' Snyder | |
| Clarice Nash | Bonnie Cavanaugh | |
| Chris Poole | Scoops Millikin | |
| Leah Barnes | Scoops Millikin (Stand-in) | |